Project Tag: Shaun Waugh

Introduction: Photography is ever present in J.G. Ballard’s fiction. Vaughan photographs car crashes as case studies for a new psychopathology in Crash (1973), the tower block’s inhabitants document the social chaos they succumb to in High Rise (1975), while Super-Cannes (2000) chronicles a modern world where surveillance cameras hang ‘like gargoyles’.[1] In The Atrocity Exhibition […]